{"id":21509,"date":"2025-06-20T10:41:45","date_gmt":"2025-06-20T08:41:45","guid":{"rendered":"https:\/\/digipur.it\/?p=21509"},"modified":"2025-06-20T10:41:45","modified_gmt":"2025-06-20T08:41:45","slug":"kety-fusco-fur-therese-is-the-new-single-out-today-bonus-track-from-the-new-album-boheme-to-be-released-on-september-19th-2025","status":"publish","type":"post","link":"https:\/\/digipur.it\/en\/kety-fusco-fur-therese-is-the-new-single-out-today-bonus-track-from-the-new-album-boheme-to-be-released-on-september-19th-2025\/","title":{"rendered":"Kety Fusco:\u00a0“F\u00fcr Therese”\u00a0is the new single out today, bonus track from the new album “BOH\u00c8ME”\u00a0to be released on September 19th, 2025"},"content":{"rendered":"

BOH\u00c8ME<\/em>\u00a0<\/strong>is the new studio album by internationally renowned Italian-Swiss harpist and composer\u00a0Kety Fusco<\/strong>, to be released on CD, vinyl and digital on\u00a0September 19th, 2025<\/strong>\u00a0via the Swiss label\u00a0A Tree In A Field Records<\/strong>. Fusco transforms the\u00a0harp<\/strong>\u00a0into a completely new voice, redefining what this instrument can represent in the contemporary musical landscape. This is not just music. It\u2019s an invitation to explore a sound world that has never existed before.<\/p>\n

BOH\u00c8ME\u00a0<\/em><\/strong>features as bonus track a visionary reinterpretation of Beethoven\u2019s famous\u00a0Fu\u0308r Elise<\/em>, renamed\u00a0Fu\u0308r Therese<\/em><\/strong>, available today June 20th<\/strong> on all digital platforms. Fusco breathes new life into a classic, blending poetry, theory, and contemporary sounds in a dialogue that intertwines past and future.<\/p>\n

Beethoven<\/strong> composed F\u00fcr Therese<\/em> in 1810, as his deafness worsened. He could no longer hear well and knew he would soon lose his hearing completely. Yet, he continued to compose. Music was no longer what he could hear, but what he imagined. Therese Malfatti was the woman to whom he dedicated the piece. He loved her, but she did not love him back. No love story, no happy ending. And to make matters worse, years later, her name was erased by mistake. A copyist miswrote the title, and F\u00fcr Therese <\/em>became F\u00fcr Elise<\/em>. Therese vanished from history, replaced by a name that had nothing to do with her. Beethoven, deaf and forgotten, could not even defend his own music. \u00a0Kety Fusco <\/strong>did not want to simply play F\u00fcr Elise<\/em>. She wanted to restore Therese to her rightful place. But she did not do it with a sweet and delicate piano. No. She did it her way. Her F\u00fcr Therese<\/em> is not nostalgia, not perfection. It is a broken, distorted, living sound. The harp\u00a0does not accompany, it shouts. It is not background music; it is a punch to the stomach. That is why her F\u00fcr Therese<\/em> is not just a reinterpretation but a restoration. A journey into the fragility and strength of a forgotten story. It is tradition breaking apart and recomposing itself into something new. It is the past returning, but with a sound that has never been heard before. Now, F\u00fcr Therese<\/em> has its name back.<\/p>\n

BOH\u00c8ME<\/strong><\/em>\u00a0is launched by the previous singles\u00a0BLOW<\/em><\/strong>, a wind that carries everything away between classical roots and cutting-edge electronic language, and\u00a0SHE<\/em>\u00a0feat. Iggy Pop<\/strong>, a love letter to the harp, as well as the celebration of the encounter between the ethereal sound of the instrument played by Fusco and the powerful vocal timbre of legendary rock icon.<\/p>\n

Every sound in\u00a0BOHE\u0300ME<\/em><\/strong>\u00a0comes from the harp, and yet nothing is as it seems. Sound manipulation,\u00a0underwater recordings, and unconventional techniques create a unique musical language, far beyond traditional boundaries.<\/p>\n

Kety Fusco\u00a0<\/strong>has transformed her strong academic foundation into a springboard for exploration that has led her to a radical path of sound innovation. Feeling the need to push beyond the boundaries of tradition, she began experimenting with the electric harp, creating an instrumental revolution. Her career has been marked by significant performances on prestigious international stages (Montreux Jazz Festival, Paleo Festival, La Notte della Taranta, Afrolect International Jazz Festival). Among the highlights is her invitation to perform at the Royal Albert Hall in London, where she achieved a sold-out show. Among her projects stands the sound library Beyond the Harp, awarded \u00abBest Database of the Month\u00bb by “Musitech”, which expanded creative possibilities for composers and producers. Fusco has received numerous accolades, including an invitation to perform at the United Nations\u2019 Global Festival of Action, and she was invited by Agnes Obel to open her concerts during her tour.<\/p>\n

After fifteen years of classical studies, and over 200 international concerts,\u00a0Kety Fusco<\/strong>\u00a0establishes herself as one of the most innovative artists on the contemporary scene. Following the debut album\u00a0DAZED<\/em>\u00a0and the experimental work\u00a0The Harp – Chapter I<\/em>, critically acclaimed and mentioned also by “The Guardian”,\u00a0BOHE\u0300ME<\/em><\/strong>\u00a0is a breath of freedom, an invitation to lose oneself on unrecognized paths, beyond the boundaries of habit, leaving behind the rules that chain us.<\/p>\n